Wednesday, 16 October 2013

Stephen Sondheim's Company: Getting Married Today

The acclaimed composer Stephen Sondheim and the Tony Award-winning director John Tiffany are collaborating on a major revision of Mr. Sondheim’s celebrated 1970 musical “Company,” a project that Roundabout Theater Company is eyeing for a possible production, according to Mr. Sondheim and others involved.

The biggest change in this new “Company” would be the central character of Bobby. Whereas he has always been a straight man struggling with commitment issues and multiple girlfriends, he has been reconceived by Mr. Tiffany as a gay man with commitment issues and multiple boyfriends. And some characters have had gender reversals; the character of Joanne, who sings “The Ladies Who Lunch” and was originally played by Elaine Stritch on Broadway, is being played by the Tony winner Alan Cumming (“Cabaret”) in Mr. Tiffany’s reading of the work at Roundabout this week.

For years Mr. Sondheim and the musical’s book writer, George Furth, who died in 2008, batted back suggestions that Bobby was furtively intended to be a closeted gay man. But when Mr. Tiffany proposed actually making Bobby gay, Mr. Sondheim said in a telephone interview on Tuesday, the idea intrigued him.

“It’s still a musical about commitment, but marriage is seen as something very different in 2013 than it was in 1970,” Mr. Sondheim said. “We don’t deal with gay marriage as such, but this version lets us explore the issues of commitment in a fresh way.”


New York Times.

Thank you all
For the gifts and the flowers,
Thank you all,
Now it's back to the showers,
Don't tell Paul,
But I'm not getting married today.

PS The original Broadway cast in 1970 rehearsing (Not) Getting Married Today with a rather foxy looking Mr Sondheim.

2 comments:

  1. The story doesn't mention that some recent productions of Company included a bit, originally cut out, in which Bobby and one of the other men have a guarded conversation about same-sex encounters they've had. So the idea that Bobby was a bit, well, MSM-ish was always in Sondheim's mind. And the song "You could drive a person crazy" touched on it, too:
    You could drive a person crazy,
    You could drive a person mad.
    First you make a person hazy
    So a person could be had,
    Then you leave a person dangling sadly
    Outside your door,
    Which could only make a person gladly
    Want you even more.
    I could understand a person
    If it's not a person's bag.
    I could understand a person
    If a person was a fag.
    But worse 'n that,
    A person that
    Titillates a person and then leaves her flat
    Is crazy,
    He's a troubled person,
    He's a truly crazy person himself.

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