The battle for gay marriage was, in essence, the fight to be as square as straight people, to say things like “My husband tells me that the new Spicy Chipotle Burger they’ve got at Bennigan’s is awesome,” and “Here it is, Valentine’s Day less than a week behind us, and already my wife is flying our Easter flag!”
That said, I was all for the struggle, mainly because it so irritated the fundamentalists. I wanted gay people to get the right to marry, and then I wanted none of us to act on it. I wanted it to be ours to spit on. Instead, much to my disappointment, we seem to be all over it...
David Sedaris, A Modest Proposal, The New Yorker.
David and his partner of 24 years, Hugh Hamrick, are now 'engaged, I suppose'.
Showing posts with label Hugh Hamrick. Show all posts
Showing posts with label Hugh Hamrick. Show all posts
Monday, 21 September 2015
Saturday, 11 July 2015
Do I Sound Gay?: It's The Movie Everyone's Screeching About!
There’s an old expression in the gay community about a macho-looking man who opens his mouth and “a purse falls out”. This sort of “looks Tarzan, sounds Jane” is particular to the gay male community where a high-pitched, lisping voice has been a huge part of the stereotype of what gay men were like ever since Charles Nelson Riley delivered saucy double entendres on The Match Game (or his UK equivalent Larry Grayson exclaimed “Shut that door!” on The Generation Game). [Think the sub should have deleted the baffling American reference].
Usually this “gay voice” isn’t regarded as a positive, either by homophobes making fun of the lisp (usually accompanied by a wrist limper than day-old pasta) or the gay men who notice effeminate tones coming from the mouth of a potential suitor. David Thorpe, a journalist and film-maker, has become an expert on the vocal registers of gay men. His new movie Do I Sound Gay? is out on Friday and looks at the roots of where this particular intonation might have originated and why gay men feel so badly about it. It also charts Thorpe’s own journey to make his voice sound “less gay” through elocution lessons and voice exercises.
Thorpe’s confrontation with the gay voice came in 2010 when riding the ferry to Fire Island Pines, an almost exclusively gay summer enclave popular with New Yorkers. As the men (and it is mainly men) embark for a weekend of sun, sea and sex, the boat can often sound like a flock of seagulls getting ready for a Robyn concert. “I love being gay and flamboyant sometimes but I can get overwhelmed sometimes when I’m in a tizzy,” Thorpe says. “I think that’s what a group of overexcited gay men should be called: a tizzy.”
That ferry ride planted the seed for the project. “I wanted to look at all the thought processes of how a voice could be a symbol for what is wrong with me,” Thorpe says. “So it was looking back at childhood and Paul Lynde and Liberace and having no other role models, and how that affected me when I came out. It was getting to the bottom of misogyny in gay culture – and in culture in general. It’s like an essay or an argument. Here is why I wouldn’t like my voice and here is what I learned when I tried to get the full story.” ...
Usually this “gay voice” isn’t regarded as a positive, either by homophobes making fun of the lisp (usually accompanied by a wrist limper than day-old pasta) or the gay men who notice effeminate tones coming from the mouth of a potential suitor. David Thorpe, a journalist and film-maker, has become an expert on the vocal registers of gay men. His new movie Do I Sound Gay? is out on Friday and looks at the roots of where this particular intonation might have originated and why gay men feel so badly about it. It also charts Thorpe’s own journey to make his voice sound “less gay” through elocution lessons and voice exercises.
Thorpe’s confrontation with the gay voice came in 2010 when riding the ferry to Fire Island Pines, an almost exclusively gay summer enclave popular with New Yorkers. As the men (and it is mainly men) embark for a weekend of sun, sea and sex, the boat can often sound like a flock of seagulls getting ready for a Robyn concert. “I love being gay and flamboyant sometimes but I can get overwhelmed sometimes when I’m in a tizzy,” Thorpe says. “I think that’s what a group of overexcited gay men should be called: a tizzy.”
That ferry ride planted the seed for the project. “I wanted to look at all the thought processes of how a voice could be a symbol for what is wrong with me,” Thorpe says. “So it was looking back at childhood and Paul Lynde and Liberace and having no other role models, and how that affected me when I came out. It was getting to the bottom of misogyny in gay culture – and in culture in general. It’s like an essay or an argument. Here is why I wouldn’t like my voice and here is what I learned when I tried to get the full story.” ...
There's an avalanche of article's about the film in the American (straight!) media, which I don't quite understand.
Bit worried that the director had tried to teach himself out of his fagcent, but I guess he's not the only one...
Bit worried that the director had tried to teach himself out of his fagcent, but I guess he's not the only one...
PS Not sure when it'll be screening in the UK, despite what the Guardian say. According to the official website it'll be available to see online imminently.
Update: New clip starring David Sedaris and Hugh!!!
Update: New clip starring David Sedaris and Hugh!!!
Labels:
David Sedaris,
do i sound gay,
fagcent,
Hugh Hamrick,
Liberace
Saturday, 23 August 2014
David Sedaris: The Men That Got Away
It was a Friday night in mid-July, around nine o'clock, and Hugh and I were at the dinner table, eating this spaghetti he makes with sausage in it. We've been together for 23 years, and for some reason I waited until this moment to ask how many people he'd slept with before we became a couple.
Hugh looked at the ceiling, which is crisscrossed with beams, and, to my great consternation, spider webs. I'm vigilant, really I am, but out in the country there's no keeping up with them.
"So?" I said.
"I'm thinking," he told me.
I used to know how many people I'd slept with. After meeting Hugh, though, I took myself off the market and the figure faded from my memory. If I were to slog through all my old diaries I could certainly retrieve it. Twenty eight?
Thirty? Do I include those early gropings? They felt significant at the time, but does it qualify as sex if you never took your clothes off, or actually touched anything with your bare hands? I wanted to ask Hugh, but he was too busy counting. "Thirty two, thirty three..."
I put down my fork. "You're not finished yet?"
"Shhh," he said. "You're making me lose track."
It shouldn't have surprised me. When you look like Hugh, all you have to do is leave the house and people will approach you, especially gay men, the dogs. His handsomeness was never my own personal opinion, rather, like the roundness of the Earth, something society generally agrees upon. Without my face to use as bait, I had to work a lot harder than he did. There are times, I'll admit it, when I had to beg. That said, some of Hugh's earlier choices seemed poorly thought out to me, especially once Aids came along.
"Thirty five... thirty six."David Sedaris, pictured with Hugh Hamrick, from a selection of celeb recollections, The One That Got Away in Guardian Weekend.
Every man ticked off on his fingers was someone I'd been compared to at one point or another, not overtly – he's anything but cruel – but surely it happened. Someone kissed better than me. Someone had more stamina, a more seductive voice. I'm confident enough to compete against a dozen of his exes, but he was moving on to the population of a small town.
"Thirty eight, thirty nine…"
By what miracle had neither of us contacted Aids? How had we gotten away? I don't just mean later, when people knew to be safe, but back in the days when it didn't have a name and no one understood how it spread. One of the men Hugh had lived with – a professor he had in his first year of college – had died of it in the late 80s, and surely there were others, on both my side and his. Yet for some reason we'd escaped, had prospered, even. Now, here we were, the shadows lengthening, our spaghetti growing cold as he hit the half-hundred mark, then blithely sailed beyond it.
Whore.
PS Meet David Sedaris is currently on BBC Radio 4 and BBC Radio 4 Extra. Yowsah!
The Guardian has a "best of Blind Date" magazine today. Not got it yet, but I imagine it's pages and pages of this. pic.twitter.com/zD7UcoAPxx
— The Guyliner (@theguyliner) August 23, 2014
Labels:
David Sedaris,
Guyliner,
Hugh Hamrick,
Meet David Sedaris
Monday, 4 July 2011
David Sedaris: The Living End

I'm really enjoying the latest series of Meet David Sedaris on BBC Radio 4 Extra.
Perhaps the funniest moment comes at the end of The End Of The Affair - a deeply personal story about David's love for his boyfriend of over 20 years, Hugh - when the BBC Radio 4 Extra announcer SHOUTS; "What a vivid imagination that man has!"
Where do they find these idiots?
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