Fagburn: What A World! What A World!

Juan Ramon Guerrero and Christopher “Drew” Leinonen. x

It's been a horrible week - enjoy your weekend.
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Donna Summer: Lucky

Enjoy your weekend.
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Fagburn: Happy

So I went to the newsagents and I Feel Love came on...

Donna Summer: Our Love

There's been some strange comfort in how much coverage there's been about Donna Summer and her death since yesterday.
And, for someone who was rarely taken seriously by critics in her 70s heyday, much of it pleasingly placing her as a pivotal figure in popular music.
(Though I've lost count of how many tributes I've heard from Paul Gambaccini...)
Just about every story and obit said she was very popular with The Gays, and then mentioned the controversy over that alleged "Aids is God's punishment" comment.
I think it's sad how this myth, and it is a myth, became such a big part of her story - it would look odd if an obituary didn't mention it - and despite her endless refutations and a high profile libel case.
The two best articles I've read by twelve inches or more both came from The Guardian.
Here's a beautiful piece by Alex Needham on her game-changing records and the power of her music; "charged with feelings of liberation, a pre-Aids world of pansexual freedom and adventure... her best records still pulsate with that spirit, the lifeforce of pop itself."
And here's Paul Flynn on Donna Summer as the "the accidental gay icon".
(I read it soon after it went online and many of the readers' comments brought up that Aids comment, often assuming it was true. Grrr...).
I know what Paul means, and agree - though I don't think it was completely accidental.
Interviewing Giorgio Moroder some years ago he told me during the Casablanca days rather a lot of the people they worked with were gay.
Casablanca's rarely given credit as a gay-friendly and pioneering gay-savvy label.
Giorgio told me he was too naive to notice they'd queered up the sleeve of his Nights In White Satin album, by adding a K to the title, and getting Giorgio shot for the cover photo in what looks like a gay sauna surrounded by some... knights in white satin.
KISS may have built Casablanca's city on Rock 'n' Roll, but their manager, Bill Aucoin, was gay - and I bet it was him who told those four nice Jewish boys to turn up the camp to 11.
As for Casablanca's other really big act, Village People, what need I say?
Though yes, they were often coded - and their bizarro film, Can't Stop The Music (often blamed for bankrupting the label) had them playing themselves laughably straight.
Casablanca also put out two of Disco's boldest singles, The Ritchie Family's Cruising The Streets and Skatt Brothers' Walk The Night.
And then there was Patrick Juvet and Paul Jabara - the latter wrote No More Tears (Enough Is Enough and It's Raining Men - and they signed Dusty and ruddy Cher!
But anyway I'm wibbling away.
As I said, these are two great pieces.
Donna Summer deserved writing about her as good as these.

Update: There's more! Jon Savage and Ewan Pearson on How I Feel Love Changed Pop. Wow.

Donna Summer: 1948-2012

Just been confirmed, just having a little cry.
Thank you, Donna.
I feel sad - that is all.

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