Because when I look back on my life, what I remember most is a sense of being told who I was by voices who knew nothing about me. I also learnt to cover up my true identity. At school in Greece in the Eighties, I was quick to learn that to be gay meant to be mocked and ridiculed. Later, in my teens, when I became obsessed with the cinema, I watched an endless parade of negative gay stereotypes who either ended up dead or doomed to a miserable existence (a history, beautifully chronicled in the 1995 documentary The Celluloid Closet). When, with a frightened, beating heart I came across the first gay sexual encounter I had found in a novel – it was a horror book that someone had left lying around in a rented holiday house – two men make love in guilt and shame, and are devoured by rats. As a 13-year-old, trying to come to terms with my emotions and my sexuality, the signs were clear: what you are is bad and you will, at best, live an unhappy, loveless life.
Alexi Kaye Campbell gets a free ad writes about his play, The Pride, on how gay identities have changed since the '50s, in The Independent.
Contains now obligatory mention of Russian homophobia.
Kudos to Richard Wilson - of One Foot In The Grave fame - who's getting such good reviews for the gay play, The Pride, he's directed at the Crucible, Sheffield. Kudos to Mr Wilson - and, of course, his beautiful wife.